Five For Friday is an ongoing weekly series in which I pick five of my favourite things along the same theme. Last week we took a page from High Fidelity in examining Side One, Track Ones. This week, a salute to the 9 to 5 ratrace.
There are a lot of people out there who actually do like their jobs. I’m one of them. But in the entertainment world you don’t get far by making stuff about what people find satisfying. Even in the most secure and stable of personalities, there has to be an itch to scratch.
Many people don’t like their jobs. And they are the ones who get films made about them. From record shops to offices, here are my favourite workplace films; starring quirky characters and with scripts that manage to turn the humdrum and mundane working existence into an existential crisis.
In order of release:
Clerks was made for under $30,000 and launched the film career of its writer and director, Kevin Smith. It’s a pretty amazing story captured in full on the Clerks X DVD extras, and it inspired me to start writing many a film script before jacking it in a full ten pages later. The film itself is, of course, a fantastic comedy highlighting the plight of full-time shop monkey Dante, struggling between getting a real job and the comfortable existence he enjoys at the convenience store alongside best friend and primo antagoniser Randal.
That’s Kevin Smith. Originally he wasn’t even supposed to be (here today) in the film, but if I remember correctly he had to take this line from Jay because Jay kept messing it up and they were running out of film. That’s indie filmmaking for you, and this film in particular helped bring about a huge resurgence in low-budget straight-talking films…
Empire Records (1995)
…kind of like this one. Released just a year later for what I imagine is also not much money, Empire Records is just one of those very, VERY quotable films that anyone who’s seen it can incorporate into their daily geek language.
It starts with what appears to be an employee stealing company money and frittering it away at the casino, but ‘bad apple’ Lucas is just misunderstood for reasons that become clear later. In contrast to what I said earlier, most of the people here at Empire Records do like their jobs, but it’s very much a stopgap for some who are trying to work out what to do with their lives, too.
Oh, and also the events of the film take place on Rex Manning Day – the greatest made-up holiday ever.
It’s surprising how many of the cast are, while let’s not go mad and say they’re all A-listers, still knocking around on TV. Aside from Mizzes Tyler and Zellweger, Anthony LaPaglia (Joe) and Rory Cochrane (Lucas) went on to long-term gigs in Jerry Bruckheimer crime dramas, while Johnny Whitworth was quite recently seen in Ghost Rider: Spirit of Vengeance – the less said about that though, the better. (He does follow me on Twitter though – if only because I tweeted about Rex Manning Day a while back.)
Joe is a superb manager though, let’s not forget that.
Office Space (1999)
Office Space is the absolute go-to film for anyone who has a begrudging indifference towards their job – not so resentful of it that they are encouraged to seek alternative employment, but not so buoyed by it that they can throw themselves into the working week with wild enthusiasm.
Not unless they’re destroying office equipment, anyway; but writer-director Mike Judge has done very well in drawing from his own history in soul-destroying office jobs to come up with not only this fantastic film, but also in creating Silicon Valley, which takes a similar approach in magnifying the cracks which appear in California tech culture.
High Fidelity (2000)
I remember being unsure that this would work as a film. How wrong I was. At one point in my life, working at Championship Vinyl would’ve been my dream job, despite even its owner Rob’s near-despair at how he’d merely rattled along all those years without embracing his lot in life. His own business, a regular crowd of hip young gunslingers and the love of a good woman…who he’d managed to drive away partly because of his own reluctance to cling onto something.
Man, I love John Cusack. Between Rob Gordon, Lloyd Dobler and Martin Blank he ran the entire length of the emotional spectrum – all amazing characters and all somewhere in my own Top 5 of pretty much anything. These characters are at the same time so relatable and so distant – while I’m most inclined to identify with Rob’s love of music and Lloyd’s romantic naivety, even hitman Martin Blank offers that coldness which all of us must wish we could sometimes have to get out of a bad way of feeling.
Finally, this one took me a bit by surprise when I first watched it at university. I liked Ryan Reynolds well enough from Two Guys & A Girl but wasn’t too struck by the rest of the cast so gave this a miss first time around. Then when I realised the film had been misrepresented by the UK press and was, in fact, a bloody funny film, I became a big fan.
It reminds me a lot of Empire Records in that whole ensemble-cast-of-wacky-kids way, but the humour is much too filthy to draw further comparisons. I especially like John Francis Daley’s character, Mitch, who draws comparisons to Silent Bob by barely getting a word in edgeways throughout the film – though this is more due to his rude colleagues than out of habit.
I’ll be giving all of these films another watch in the near future I think, if only to remind me that even when work’s getting me down, it could be worse – I could have Milton for a colleague.